FLUX.2 Prompt Generator

A close-up portrait of a woman in her late 20s, natural daylight from an overcast sky creating soft, even illumination across her face. She is looking directly into the camera with a composed expression. Light brown hair, slightly dishevelled. Wearing a simple grey merino crewneck. Skin texture visible — no retouching aesthetic. Shot equivalent to a 50mm f/1.8, extremely shallow depth of field, background completely soft. FLUX.2 Pro photorealistic.

Exterior photograph of a mid-century Bauhaus school building in Germany on an overcast grey day. White render facade, horizontal strip windows, flat roof. Mature linden trees frame the entrance. Two students walk the path toward the entrance, slightly motion-blurred. Shot from street level at a slight angle, asymmetric composition. Architectural documentary photography. FLUX.2 Pro, 4MP.

A Japanese chef's knife on a dark slate surface, shot from directly above. The blade is clean and catches a single streak of window light along its length. A sprig of rosemary and three cloves of garlic are placed to the left. The handle is dark walnut. No other props. Overhead studio shot, two softboxes giving even, shadowless fill. High-end cookware editorial style. 4MP FLUX.2 Pro.

A wide-angle dawn photograph in Patagonia: the Torres del Paine granite towers lit in orange and pink alpenglow, a glassy lake in the foreground perfectly reflecting the towers. No wind — the reflection is flawless. A single guanaco grazes in the left foreground, establishing scale. Shot at f/11, deep depth of field, everything sharp from foreground to towers. Landscape photography. FLUX.2 Max, 4MP.

A minimalist fashion editorial: a male model, early 30s, stands against a seamless white studio wall wearing a structured olive-green overcoat, dark wool trousers, clean white shirt open at the collar. His posture is relaxed, arms at his sides. The lighting is entirely flat and even from two large softboxes — no shadows. Shot with a medium-format equivalent lens. Clean, still, editorial menswear aesthetic. FLUX.2 Pro.

Interior of a small Tokyo ramen shop at 11 PM: eight counter seats, a long cypress wood counter, the chef visible behind through a service window. Red paper lanterns hang from the low ceiling. Two customers eating, heads slightly bowed. Steam rises from bowls. Shot from the entrance looking in — the warm amber interior against the dark street outside. Documentary street photography aesthetic, slight grain. FLUX.2 Pro.

A literary novel book cover, portrait orientation. Background: deep forest green linen texture. Centred title in large classical serif typeface, cream: 'THE QUIET SEASON'. Below, in smaller serif: 'A Novel by E. L. Marchetti'. A single botanical illustration — a pencil sketch of a bare winter branch — sits between the title and author name. Tasteful, prize-contending literary fiction design. 4MP FLUX.2 Pro.

An extreme macro shot of a spider's web in the early morning: hundreds of perfect water droplets suspended on the silk strands, each droplet refracting the garden behind it. A pale yellow rose is visible in the background, soft bokeh. Overcast morning light. Shot at maximum magnification, the silk strands themselves just visible at the edges of individual droplets. BBC Earth quality. FLUX.2 Max.

A rainy Paris evening on a narrow Marais street: cobblestones reflecting the warm glow of a brasserie window. A woman in a black trench coat and red scarf walks away from camera under a small umbrella. Shot at 1/60s — the umbrella sharp, the cobblestones gleaming, a few pedestrians blurred in the background. Captured as if on Kodak Portra 400 film. Grain prominent, colours slightly muted. FLUX.2 Pro.

Full-body character concept art of a space marine officer, female, mid-40s, standing at ease in a pressurised corridor of a military ship. Her armour is utilitarian — matte grey titanium composite, wear marks at the joints, a unit patch on the left shoulder. She holds a helmet under one arm. Her expression is tired but authoritative. Concept art quality, detailed, suitable for a game or film production pitch. FLUX.2 Pro, 4MP.

A halved sourdough loaf on a dark linen cloth. The interior crumb is open and irregular — large air pockets in the centre, smaller tight crumb near the crust. The crust is dark, deeply scored. A bread knife rests beside it. Shot from a 45-degree angle at loaf height. One softbox from camera-left, warm tungsten tone. Artisan bakery editorial style. No garnish, no props beyond the cloth and knife. FLUX.2 Pro.

A derelict space station interior: a wide circular observation room, floor-to-ceiling windows looking onto a gas giant in amber and rust. Emergency lighting only — red strip lights along the floor, one flickering overhead panel. Dust particles float in the light shafts. Vegetation has begun growing through a cracked floor panel. No people. The composition centres on the window and the planet behind it. Concept art / cinematic realism hybrid. FLUX.2 Max.

Flat lay of a premium coffee brand's packaging: a matte black 250g bag with a single-origin label. The label reads 'ALTO HORIZONTE / Single Origin / Colombia / Medium Roast' in clean sans-serif, white ink. The bag lies on a rough concrete surface with a small espresso cup beside it and a few whole coffee beans scattered. Overhead shot. Minimal brand photography, 4MP FLUX.2 Pro.

A documentary portrait of a watchmaker, male, mid-70s, at his workbench. He holds a loupe to his right eye and examines a movement component between tweezers. His hands are steady, deeply lined. The bench is covered in tools laid out precisely. Shot from a slight angle, the face three-quarters toward camera. Light from a small desk lamp lights the subject warmly against a dark background. Photojournalism quality. FLUX.2 Pro.

A painterly wide-angle illustration of a vast underground library: stone columns holding shelves of thousands of books reaching upward into darkness. Bioluminescent fungi grow along the shelf edges, providing blue-green ambient light. A robed scholar sits at a reading table in the centre, a single candle lit, surrounded by open volumes. A spiral iron staircase ascends into the upper darkness. Dark fantasy concept art, Tolkien-adjacent world, high detail. FLUX.2 Dev.

A wide environmental portrait of an arctic fox in its white winter coat, standing in deep snow on a tundra plain in Norway at blue hour. The sky is dark blue, the snow is blue-white. The fox looks directly at the camera. Shot with a long telephoto (equivalent 500mm), the tundra horizon visible behind the fox. No other subjects, no structures. Wildlife photography, BBC Natural World quality. FLUX.2 Max, 4MP.

A premium single malt whisky bottle on a dark aged oak shelf, library context. The bottle is tall, amber glass, with a handwritten label: 'Glenforth 18 Year'. A leather-bound book rests open beside it. A crystal tumbler with ice and an inch of whisky sits in front. Back-lit from behind the shelf, the bottle glows amber. Shot with cinematic depth of field. Luxury spirits brand photography. FLUX.2 Pro.

An architectural photography shot of a contemporary tropical villa in Bali at dusk: open-plan living area extending to an infinity pool overlooking the rice terraces. Warm interior lighting from within, the exterior lit by small path lights. A single figure stands at the pool edge facing away. Shot from across the pool looking in — the interior warm amber against the blue dusk sky and terraces behind. FLUX.2 Pro.

A cinematic portrait of a Victorian detective, male, early 40s, standing in a fog-lit London street at night. He wears a dark wool overcoat, collar turned up, a deerstalker hat. He is examining a small evidence envelope with a magnifying glass, fully absorbed. The background: gas lamps, cobblestones, fog. Shot at three-quarters angle, the lamp light providing key light from camera-right. Cinematic period film quality. FLUX.2 Pro.

A macro photograph of an abstract oil painting in progress: thick impasto strokes in deep cobalt blue and raw umber, palette knife tracks visible through the paint surface. The paint edges catch light from a single raking spotlight, creating strong shadows across the texture relief. Shot from directly above, the canvas fills the frame. The paint is wet — slightly reflective. Art documentation photography, 4MP FLUX.2 Max.