Wan 2.7 Prompt Generator

Extreme close-up macro shot of cherry blossom petals detaching from a branch in slow motion: each petal spirals downward through soft morning light at 120fps, the pale pink translucent against a blurred green hillside, two petals collide mid-air and drift apart, a single drop of dew releases from the last petal still clinging to the branch. Complete silence. Japanese spring aesthetic, National Geographic precision, 12 seconds.

Night street-level shot of a Tokyo ramen shop at 11 PM: condensation on the glass front reveals silhouettes of solo diners hunched over steaming bowls, neon kanji signage reflects in puddles on the wet pavement outside, a salaryman in a rumpled suit pushes through the door, letting warmth and broth steam billow into the cold air. Observational documentary camera, natural street audio — rain, distant traffic, bowl-clatter inside — 10 seconds.

Time-lapse compressed into 12 seconds: a massive alpine icefall in the Swiss Alps collapses in stages — first a crack of sound, then a slow-motion avalanche of seracs tumbling into the glacial valley below, powder cloud rising 200 metres into thin mountain air, the valley walls echoing with the thunder of it. BBC Earth quality, drone wide shot pulling back as the collapse progresses, natural acoustic recording of the event.

Intimate music video b-roll: a rapper records in a dim studio — one ring-light, a condenser mic inches from his face, headphones half-on, eyes closed. He runs the verse three times — the camera catches a lip movement, a fist clenching on the word, a half-smile at the punchline. Producer visible in the background through the glass, nodding in time. Warm colour grade, hip-hop aesthetic, natural studio bleed audio, 12 seconds.

ROV footage at 900 metres depth: complete darkness interrupted by a bloom of bioluminescent jellyfish drifting through frame — each one pulsing blue-green in its own rhythm, tentacles trailing metres below the bell. The ROV light catches one at close range, revealing a mouth ringed with glowing cilia. BBC Blue Planet aesthetic, real hydrophone silence, natural ROV light only, 15 seconds.

Low-angle drone shot of a Soviet-era brutalist housing block at golden hour: the concrete panels glow amber, windows lit from inside with warm domestic life, laundry on a high balcony catching the last light. The camera rises slowly until the full 18-storey block fills the frame against a fading pink sky, then drifts laterally to reveal identical blocks repeating to the horizon. Melancholy beauty, no music implied, natural wind tone, 12 seconds.

Tight observational shot of a professional boxer alone in a locker room before the main event: wrapping his own hands in white tape with practised precision, eyes fixed on the middle distance, jaw set. No eye contact with camera. Cut to his reflection in the mirror — he finds it, holds it for three seconds, nods once. The crowd sound from the arena bleeds faintly through the walls. Handheld, single bulb overhead light, no music, 10 seconds.

Aerial shot of a remote fire lookout tower at dusk: the tiny structure stands on a granite summit, smoke columns from multiple wildfires visible across the valley below turning the setting sun deep red. A silhouetted figure in the tower turns slowly with binoculars. The camera pulls back on a long lens to compress the smoke and the ridge and the figure into one frame. Forest Service documentary quality, ambient wind audio, 12 seconds.

Extreme close-up of a Michelin-star chef plating a dish: using tweezers to place a single edible flower, a squeeze of micro-emulsion spheres that burst on contact with the warm plate, a brush of gold dust across the sauce. The camera is 10cm from the plate, macro lens tracking each placement. The chef's hands move with absolute economy. Complete silence except for the faint clink of tools. Architectural food photography brought to motion, 10 seconds.

Antarctic expedition camp at -40°C during a whiteout blizzard: a researcher pushes against 80km/h wind to reach a yellow equipment tent 15 metres away, each step fought, the camp nearly invisible in the white-out, a rope guide line the only safety. Camera is static from inside the main tent, filming through a frost-covered porthole, natural wind audio at full volume — no narration, no music, pure elemental exposure, 12 seconds.

Automotive launch film: a matte black hypercar accelerates across the Bonneville Salt Flats at sunrise, shot from a low pursuit vehicle running parallel at 200 km/h — the car is razor-sharp, the salt flat blurs to white beneath it, an enormous dust plume of salt crystals fans behind. Switch to wide drone shot showing the car as a black arrow on infinite white. No voiceover, engine sound mixed with dramatic score, 15 seconds, Porsche / McLaren aesthetic.

Single long take inside the Amazon canopy at first light: the camera is mounted in the tree crown, looking upward as pink dawn light filters through 40 metres of overlapping leaves, mist rising, a troupe of howler monkeys beginning their territorial call — the sound builds from one voice to a full chorus as the light intensifies. BBC Natural World aesthetic, directional microphone capturing stereo canopy soundscape, 15 seconds.

A rain-soaked night market in 2047 Neo-Seoul: holographic vendor signs float at every stall, a food vendor's wok shoots a pillar of blue-tinged flame, a crowd of pedestrians with partially visible augmented-reality overlays on their field of view push past the camera, a maintenance drone hovers at head-height scanning for expired licences. Blade Runner 2049 aesthetic, natural crowd ambient plus digital glitch audio layer, no clean sci-fi music, 12 seconds.

A Category 2 storm battering a 19th-century lighthouse on the Maine coast: 12-metre waves strike the base and explode upward past the light, the beam sweeps through horizontal rain, a fishing boat visible in the distance fighting to round the headland. Static wide angle from a cliff opposite, spray reaching the lens, natural storm audio — howling wind, wave impact, thunder — no narration, 15 seconds.

Hand-held tracking shot of a 65-year-old woman crossing a marathon finish line: the crowd parting ahead of her, her face showing 4 hours of pain resolved into pure relief, a volunteer draping a foil blanket over her shoulders, her adult children running from the barrier to embrace her. No slow motion — real time, messy, real. Natural crowd noise and PA announcement, no music, 10 seconds. The Guardian documentary quality.

Extreme close-up of hands on a spinning potter's wheel: wet clay being centred — fingers pressing inward, the clay rising and falling responsively, slurry flying in slow arcs at the edges. The camera stays at clay level, tracking the hands. Sound design is pure ASMR: wet clay slap, wheel hum, water being added, hands squeaking — no music, full sensory detail, 12 seconds.

Observational b-roll inside an operating theatre at 2 AM: the surgical team works in near-silence over a draped patient, instruments passed without words, the lead surgeon's eyes alone visible above the mask — focused, unhurried. A junior resident glances at the vital signs monitor. Single overhead surgical light in an otherwise dark room. Natural OR audio: monitor beeps, ventilator rhythm, suction — 10 seconds. HBO medical drama quality.

Pad-level camera captures a rocket ignition sequence: sound arrives 0.5 seconds after the flame — first visual is a white steam shockwave radiating outward from the pad, then the rocket lifts clear, exhaust plume turning the sky orange, the launch tower vibrating in the frame, debris dust rising around the camera. Go-pro aesthetic, raw pad audio — ignition crack, roar building to overwhelming — 12 seconds. SpaceX NASASpaceflight community quality.

Single continuous dolly through a Scottish Highland distillery at dusk: copper pot stills glowing in warm light, condensers running with cold water, a stillman checks the spirit safe with one practiced glance, barrels stacked floor-to-ceiling in a bonded warehouse visible through a stone arch, ending on a close-up of amber spirit flowing into a glass. Slow, deliberate, reverent. Natural distillery audio — drip, hiss, footstep on stone — 15 seconds. Glenfiddich brand quality.

Phantom camera at 3,000fps captures a ruby-throated hummingbird feeding: each wingbeat isolated into 40 individual frames, the tongue extending into the flower visible in full detail, iridescent feathers frozen in colour. The background blurs completely. When played at normal speed the whole sequence becomes a 12-second hypnotic study of physics made visible. Natural silence at high-speed — just the faint whomp of wings slowed to a heartbeat, 12 seconds.