Higgsfield Prompt Generator

Cinematic luxury lifestyle film, 20 seconds, 4 shots. IDENTITY LOCK: The man in every shot is the person in the reference images — reproduce his exact face: bone structure, jawline, nose shape, eyebrows, beard density, skin tone. Face clearly visible in all shots. NEVER generate a different or generic face. Subject: early 30s, lean athletic build, unbuttoned cream linen shirt, tailored beige trousers, gold Rolex Submariner on left wrist. SHOT 1 (0–5s): Low-angle medium wide from water level — he stands at the bow rail of a white 30m superyacht cutting through deep blue sea, shirt and hair moving in the wind, face toward camera in three-quarter angle, slow forward dolly. SHOT 2 (5–10s): Tracking shot on sun deck — he walks past cream leather loungers and a marble table with champagne on ice, turns his head toward lens with a calm half-smile, face sharp, background bokeh. SHOT 3 (10–15s): Close-up — he lifts his left wrist, macro zoom on the gold Rolex, sunlight on the bezel, rack focus back to his face. SHOT 4 (15–20s): Aerial drone rising and pulling back from his face as he sits on the flybridge looking toward the horizon, yacht carves a white wake through turquoise water. STYLE: ARRI Alexa, 35mm anamorphic, shallow DOF, natural lens flare. LIGHTING: Golden hour, warm rim light, soft fill — no harsh shadow on face. COLOR: Teal and gold grade, warm highlights, deep blue shadows.

Cinematic character film, 15 seconds, 3 shots. IDENTITY LOCK: The man in every shot matches the attached reference exactly — his face, jawline, skin tone, and hair must be identical in all shots. SUBJECT: Late 20s man in a white towelling robe, fresh from the shower, slight stubble. SHOT 1 (0–5s): Wide shot of a glass-walled penthouse at sunrise — he stands at the floor-to-ceiling window, city skyline below him, holding a black espresso cup in both hands, steam visible, back slightly to camera then he turns his head. SHOT 2 (5–10s): Medium shot — he sets the cup on a marble island, opens a slim leather watch box, lifts out a gold watch and fastens it on his wrist, looking down. SHOT 3 (10–15s): Close-up profile — he looks out at the skyline, the camera slowly pulls back to reveal the full room. STYLE: Sony Venice, 50mm anamorphic, warm morning light, golden tones.

Cinematic automotive lifestyle film, 15 seconds, 3 shots. SUBJECT: A matte black Porsche 911 GT3 driving through a canyon at golden hour. SHOT 1 (0–5s): Low-angle static shot on the canyon road — the car enters frame from the left and passes camera at speed, exhaust note implied, dust from the rear tyres catching the late sun. Camera at road level, car fills the frame. SHOT 2 (5–10s): Tracking drone shot from above and behind — the car carves through a sweeping left-hand bend, canyon walls rising on both sides, the road stretching to a vanishing point. SHOT 3 (10–15s): Interior close-up — gloved hands on the steering wheel, the tachometer at 6500 rpm, then the camera tilts up through the windscreen to the canyon ahead. STYLE: Alexa, 35mm anamorphic, shallow DOF, natural dust and light flares. COLOR: Warm desaturated, orange tones in the dust, deep shadows in the canyon rock.

Luxury product film, 15 seconds, 3 shots. SUBJECT: A stainless steel dress watch with a cream dial and brown alligator strap, inside a navy blue presentation box. SHOT 1 (0–5s): Top-down static shot — a pair of hands in white cuffs lifts the box lid, revealing the watch nestled in cream suede. The camera holds for 3 seconds, then slowly zooms in on the dial. SHOT 2 (5–10s): Macro side profile — the watch face fills the frame, camera rotating slowly clockwise around the bezel, sunlight catching the indices and hands. SHOT 3 (10–15s): The watch on a male wrist, shirt sleeve pushed back — the camera begins on the wrist at street level and rises to reveal the wearer standing in front of a Geneva townhouse. STYLE: Leica look, 90mm macro, high contrast, Swiss luxury aesthetic. LIGHTING: Controlled studio for shots 1–2, natural overcast for shot 3.

Cinematic athletic lifestyle film, 15 seconds, 3 shots. IDENTITY LOCK: The man in every shot matches the reference exactly — reproduce his face, skin tone, and hair with precision across all shots. SUBJECT: Athletic male, mid-20s, in fitted black training shorts and a grey cut-off tee, strong build. SHOT 1 (0–5s): Wide shot on a rooftop gym at sunrise — he grips a pull-up bar and starts a slow controlled rep, face visible, city skyline behind him with morning haze. SHOT 2 (5–10s): Close-up of his hands gripping the bar, tendons taut, then the camera pulls back to a full side-profile as he reaches the top of the rep. SHOT 3 (10–15s): Medium front shot — he drops from the bar, lands, exhales slowly, and looks toward the horizon. The camera slowly dollies in. STYLE: Sony FX9, 35mm, high contrast, hard morning light, warm shadows.

Cinematic luxury travel film, 20 seconds, 4 shots. IDENTITY LOCK: The man in every shot matches the reference — identical face structure, skin tone, and hair in all shots. SUBJECT: Polished professional, early 30s, in a navy blazer and white shirt, no tie. SHOT 1 (0–5s): He steps up the airstairs of a white Gulfstream G700, turns back to camera at the top of the steps and gives a slight nod — face clearly lit. SHOT 2 (5–10s): Interior — he settles into a cream leather seat, a glass of still water on the side table, opens a slim black laptop. Camera tracks forward through the aisle at seat level. SHOT 3 (10–15s): Window view — his hand on the armrest, the wing and the clouds visible through the oval window, then the camera pans to his face in profile looking out. SHOT 4 (15–20s): Aerial exterior drone shot of the jet banking over a mountain range. STYLE: Alexa Mini LF, 40mm, warm cabin tones, cinematic colour grade.

Editorial personal brand film, 15 seconds, 3 shots. IDENTITY LOCK: The woman in every shot is the person in the reference images — reproduce her face, features, skin tone, and hair exactly. SUBJECT: Woman, early 30s, in a tailored ivory blazer and black turtleneck, minimal gold jewellery, hair pulled back. SHOT 1 (0–5s): She walks into a sun-lit boardroom, sits at the head of a long table, places both hands flat on the surface, and looks directly to camera with quiet authority. Slow dolly in from the door. SHOT 2 (5–10s): Medium shot — she writes in a leather notebook, then looks up and directly at the lens. Camera holds. SHOT 3 (10–15s): Wide shot of the boardroom with the skyline behind her — she stands and turns to look out the window. Camera slowly pans right. STYLE: 50mm, clean corporate aesthetic, Vogue Italia editorial tone. LIGHTING: Diffused window light, soft fill.

Cinematic chef documentary, 15 seconds, 3 shots. SUBJECT: A male chef in a white double-breasted jacket, late 30s, in a professional kitchen. SHOT 1 (0–5s): Extreme close-up — a knife blade slicing through a rack of lamb in a single clean stroke, cross-section revealed, pink centre perfectly exposed. The camera pulls back to a medium shot of the chef composing the plate. SHOT 2 (5–10s): Wide shot of the kitchen — a full brigade working in the background, blurred, as the chef adds a final element to the plate in the foreground. SHOT 3 (10–15s): The completed plate sliding across a slate counter toward camera — a macro shot of the dish, micro herbs in place, sauce brushed. Then the camera rises to the chef's face as he watches the plate leave the pass. STYLE: Alexa, 35mm, high contrast kitchen light. COLOR: Warm, slightly desaturated, cinematic.

Cinematic personal brand film, 12 seconds, 2 shots. IDENTITY LOCK: The man in both shots is the person in the reference — exact face, skin tone, and hair. SUBJECT: Male, late 20s, in a black roll-neck sweater, no accessories. SHOT 1 (0–7s): Rooftop at golden hour — he stands at the edge, facing the sunset, city below. The camera begins at waist level behind him and slowly circles right until it reaches his side profile, then continues to a three-quarter front view. His face catches the warm light. SHOT 2 (7–12s): The camera holds on his face in three-quarter profile as the sun drops below the horizon and the city lights begin to appear behind him. Slow zoom-in to a close-up. STYLE: Sony Venice, 85mm, cinematic, natural lens flare at sunset.

Luxury drinks product film, 15 seconds, 3 shots. SUBJECT: A crystal cut-glass filled with 30ml of Scotch whisky, ice sphere, droplet of water added. SHOT 1 (0–5s): Top-down macro shot — a single ice sphere drops into the glass in slow motion, the whisky ripples outward, droplets catching amber studio light. SHOT 2 (5–10s): Side profile macro — the camera slowly circles the glass at 90 degrees, amber liquid, the crystal facets refracting light into the dark background. SHOT 3 (10–15s): A male hand lifts the glass, the camera follows it upward, then the man takes a measured sip, eyes closing briefly. Only the lower half of the face shown — jaw, lips, throat. STYLE: Macro lens, ultra-high contrast, pure black background, warm amber key light. COLOR: Deep amber and black, zero fill light.

Cinematic slow-life lifestyle film, 15 seconds, 3 shots. SUBJECT: A calm morning scene in a minimalist flat with high ceilings and white walls. SHOT 1 (0–5s): Wide establishing — morning light rakes across a concrete kitchen island. A pair of hands places a Moka pot on a flame and steps back. The camera holds static, wide, as the kitchen fills with the first wisps of steam. SHOT 2 (5–10s): Macro close-up of the Moka pot spout — the coffee erupts slowly upward, the camera holds on the pour. SHOT 3 (10–15s): Medium shot — a man's hands cradle a black ceramic cup, steam rising. Through the large window behind him, a city at 7am. He looks out at it. The camera slowly pulls focus from his hands to the window view. STYLE: 50mm, natural window light only, documentary aesthetic. COLOR: Desaturated, cool morning tones.

Cinematic artist documentary, 15 seconds, 3 shots. SUBJECT: A music producer in a professional recording studio, surrounded by hardware synths, mixing console, and dim studio lighting. SHOT 1 (0–5s): Wide shot — he sits at the console, one hand on a fader, headphones on, a waveform on the screen behind him. The camera slowly pushes in from the studio glass. SHOT 2 (5–10s): Close-up of fingers on the mixing board — faders moving in small deliberate increments. Then cut to a close-up of his ear and headphone cup. SHOT 3 (10–15s): He lifts the headphones off and looks back through the studio glass toward a vocalist, gives a nod. The vocalist's shape visible through the glass. STYLE: Warm tungsten studio lighting, slight grain, intimate documentary feel.

Cinematic event arrival film, 12 seconds, 2 shots. IDENTITY LOCK: The man in both shots is the person in the reference — identical face, skin tone, hair and build. SUBJECT: Man, early 30s, in a peak-lapel black tuxedo, white pocket square, black patent shoes. SHOT 1 (0–6s): He arrives at the top of a red-carpeted staircase, pauses, adjusts his cufflink, then descends slowly toward camera. Crystal chandeliers visible above. Camera tracks backward at chest level as he descends. SHOT 2 (6–12s): He reaches the bottom, extends a hand to greet someone off-frame, turns back and looks directly at camera with a composed smile. Camera holds on a close-up of his face. STYLE: Leica look, 50mm, warm ballroom light. COLOR: Rich warm gold, deep shadows.

Cinematic road trip film, 15 seconds, 3 shots. SUBJECT: A silver Land Rover Defender on an empty desert highway in Nevada at dusk. SHOT 1 (0–5s): Aerial drone shot from directly above — the Defender is a silver rectangle on a dead-straight road, desert floor stretching to the horizon on every side, no other vehicles. Slow pull-up to altitude. SHOT 2 (5–10s): Ground-level side tracking shot from a low camera car — the Defender passes left to right at 80kph, dust and last sunlight catching the wheels. SHOT 3 (10–15s): Interior — the driver's forearm rests on the open window frame, wind visible in the arm hairs, the desert outside, a red sky in the wing mirror. Camera holds on the arm then slowly rises to a profile of the driver's face. STYLE: 35mm anamorphic, natural dusk light. COLOR: Orange and red desert grade, warm shadows.

High-energy brand intro, 8 seconds, single shot. SUBJECT: A confident man in a dark streetwear outfit standing in the centre of an empty parking garage, overhead fluorescent light above him, fog machine haze at floor level. The camera starts at extreme wide angle 50 metres away. MOTION: Crash zoom from the wide establishing shot directly into a tight close-up of his face in 4 seconds — very fast, slightly imperfect, like a vintage sports broadcast. He does not move. His expression is locked — dead serious, direct eye contact with the lens. The zoom holds on his face for 2 seconds, then a hard cut to black. STYLE: Low-fi cinematic, slight vignette, high grain, late 1990s action film aesthetic. LIGHTING: Single hard overhead key, deep shadows, no fill.

Fashion campaign bullet time sequence, 10 seconds. SUBJECT: A female model in a flowing red silk midi dress, high heels, dark hair loose, walking across a white marble plaza. MOTION: As she reaches the centre of the plaza, time slows to 1% of normal speed — the silk of the dress freezes mid-movement, caught in a dramatic mid-sweep. The camera orbits around her in a 180-degree arc while she is frozen in this suspended moment, completing the arc in 8 seconds. Then time resumes and she continues walking. STYLE: High-fashion editorial, Valentino campaign aesthetic, 35mm, high contrast. LIGHTING: Midday hard sun from directly above, creating a dramatic downward shadow. COLOR: Saturated, crimson red against pure white marble.

Personal brand hero clip, 10 seconds. SUBJECT: A man in a well-tailored navy suit, white shirt, no tie, standing confidently in the centre of a glass-walled office at night, city lights behind him. MOTION: The camera performs a slow 360-degree orbit around him at chest height, taking the full 10 seconds to complete the circuit. He rotates slightly to always face the camera as it moves, maintaining eye contact with the lens throughout the full orbit. His expression: calm, assured, a very slight smile on the final facing position. STYLE: 50mm, cinematic, night office lighting. COLOR: Deep blue and warm tungsten interior.

Cinematic city time-lapse opening sequence, 10 seconds. SUBJECT: A major metropolitan skyline — high-rise towers, a river through the centre, bridges. MOTION: Compressed time — clouds move rapidly overhead, the sun arcs from golden hour to deep blue dusk in 8 seconds, city lights ignite progressively across the skyline. The camera holds perfectly static on a wide vista shot. In the final 2 seconds, time resumes to normal speed and the shot holds on the fully-lit night skyline. STYLE: Alexa, ultra-wide 24mm, tilt-shift softness on edges to focus attention on the skyline centre. COLOR: The grade transitions from warm gold (sunrise tones) to cool deep blue (dusk), matching the time progression. No text, no overlays.

Product launch hero film, 15 seconds, 3 shots. SUBJECT: A matte black fragrance bottle with a brushed gold cap, label: a single white wordmark on black glass. SHOT 1 (0–5s): Pure black environment. The bottle rises slowly from below frame into a single narrow spotlight, rotating one full revolution over 5 seconds. The gold cap catches the light first. SHOT 2 (5–10s): Macro side shot — the bottle set on aged oak, morning light raking across the glass surface from a window off-frame, the wordmark in sharp focus. The camera is static. SHOT 3 (10–15s): A hand in a white shirt sleeve picks up the bottle, uncaps it slowly, and holds it level to camera. The cap is placed aside. The camera slowly zooms into the open neck of the bottle. STYLE: Maison Margiela aesthetic, 90mm macro, pure minimalism. COLOR: Black, white, and aged gold only.

Soul ID character consistency test, 15 seconds, 3 shots across 3 environments. IDENTITY LOCK — HIGHEST PRIORITY: Every shot contains the same person from the reference images. Face, jawline, skin tone, eye shape, and hair must be identical in all 3 shots. No variation. SUBJECT: Man, early 40s, medium build, salt-and-pepper stubble. SHOT 1 (0–5s): He is in a library, standing between tall bookshelves, reading a page of an open book. He looks up to camera. SHOT 2 (5–10s): He is in an outdoor café terrace in Paris, an espresso on the table, he lifts it and takes a sip, looks at camera over the rim. SHOT 3 (10–15s): He is in a mountain cabin at night, firelight on his face, looking into the fire, then turns to camera. In all 3 shots: same face, same subtle stubble, same build. Different clothes per scene. STYLE: Natural location lighting in each shot. Camera: medium shot, face clearly lit.