Seedance 2 Prompt Generator

A street-level shot on a rain-wet city sidewalk at dusk. Two characters in their 30s stand under a shared umbrella outside a lit café window. Character A turns to Character B and says quietly: 'I never told you — I almost didn't come back.' Character B pauses, then replies: 'I know. That's why I waited.' Their lip movements are precisely synchronized to both dialogue lines. Ambient: café music fading through the glass, rain on umbrella, distant taxi horn. Warm tungsten light from inside reflects on the wet pavement. 15 seconds.

A clean-room studio shoot for a luxury tech product reveal: a sleek brushed-aluminium device sits on a white plinth under a single overhead spot, fog rolling across a dark floor. A hand reaches in from frame-left and lifts the product at the 5-second mark. Audio: total silence until the lift, then a single clean resonant tone as the product catches the light, fading into ambient studio hum. Cinematic product photography aesthetic. 12 seconds.

A handheld documentary shot: a street market vendor in their 50s, weathered hands, speaks directly to camera. They say: 'Thirty years at this stall. My father before me, his father before him.' Their lip movements are perfectly synchronized. The surrounding market continues behind them — crowd noise, a vendor calling prices, a bicycle bell — all at appropriate ambient volume, the subject's voice dominant. Golden-hour light. 15 seconds.

A wide cinematic shot of a solo musician — acoustic guitar, sitting on a wooden crate — performing in the Atacama Desert at blue hour. The mountains are far behind. They sing the opening line: 'Every road leads back to the same door.' Their mouth movements match the lyric exactly. Audio: the guitar and voice are the only sounds — the desert is silent around them, which makes both feel enormous. No artificial reverb. Raw. 15 seconds.

A locked-off wide shot from a clifftop looking along the coast at dawn: mist in the valleys below, the sea a flat silver, a lighthouse flashing every 4 seconds. No people. Audio: distant wave break — the sea is far below but audible as a low continuous roar, wind through coastal grass at medium volume, the lighthouse lamp mechanism making a faint mechanical click on each rotation. BBC Earth quality. 15 seconds.

A warm overhead shot of hands preparing pasta in a small apartment kitchen: dough being stretched on a floured board, a pot bubbling in the background, afternoon sun through a small window. The cook hums a few bars of something folk. Their face is not shown. Audio: the dough slap and stretch, the boiling pot, the hum — all spatially placed as if the mic is in the room. Warm domestic atmosphere. No music. 12 seconds.

A formal press conference setup: a single speaker stands at a podium with a microphone array, flags behind, press photographers in front. The speaker says: 'Effective immediately, we are suspending all operations.' Their lip movements are precisely synchronized. Audio: the room reacts — a wave of murmur, camera shutters firing rapidly, a journalist's voice calling a question from off-screen. Fluorescent lighting, hard news aesthetic. 12 seconds.

An interior wide shot of a wooden mountain cabin in deep winter: a cast-iron stove glowing, snow visible through a small square window, a dog asleep by the fire. A hand enters frame and places a log in the stove — it lands with a thud and the fire brightens. Audio: the thud of the log, the crackle intensifying, the dog shifting in its sleep, wind in the eaves — quiet, warm, enclosed. 15 seconds.

A wide rooftop shot at night: 40 people at a summer rooftop gathering, a DJ set glowing in the corner, the city skyline behind. A group of three laugh and clink glasses at the 6-second mark. Audio: the music from the DJ — a mid-tempo track heard from 8 metres away, so the bass is physical but the melody is secondary — plus crowd conversation murmur, a laugh close to camera, glass clink. The city hum below. 15 seconds.

A documentary side-on shot of a blacksmith working at a traditional coal forge: the metal glowing orange in the coals, the smith lifting it with tongs to the anvil. Three hammer strikes at 5, 7, and 9 seconds. Audio: the forge bellows hiss, then each hammer strike produces a sharp metallic ring that fades across 1.5 seconds — each ring is synchronized to its visual strike. Sparks scatter on strike 2. Warm coal-fire light, industrial documentary quality. 12 seconds.

An extreme macro shot inside a coastal tide pool: a hermit crab moving between barnacles, small fish darting, a sea anemone pulsing slowly in a current. The light dances through shallow water above. Audio: a hydrophone perspective — the underwater soundscape of click-crackle (snapping shrimp), the low hiss of water movement, a muffled wave impact heard from the pool surface above. BBC Blue Planet aesthetic. 12 seconds.

A tracking camera at knee height follows a model walking the runway toward it: the hem of a structured coat, heels on polished concrete, the flash of press cameras on either side. The model reaches camera at 8 seconds and the shot ends. Audio: the heel strikes on concrete — sharp, rhythmic, dominant — crowd applause building, shutter clicks from photographers, a single phone ring suppressed quickly. Fashion Week atmosphere. 12 seconds.

A booth in an empty late-night diner, 3 AM: a young woman sits alone, coffee cup in both hands, looking out the rain-streaked window. She says to herself: 'Tomorrow it starts.' Her reflection also appears to mouth the words. Lip sync is exact. Audio: the diner ambient — coffee machine gurgling, a radio playing something faint in the kitchen, rain on the window, a truck passing outside. Warm incandescent light. 15 seconds.

A research lab setting: a scientist in their 40s, lab coat, safety glasses pushed up, looks at a result on a monitor. They turn to a colleague off-screen and say: 'It worked. Look at this.' Their lips are precisely synchronized. Audio: the hum of lab equipment — a centrifuge winding down, air filtration, the fluorescent overhead — the room quiet enough that the spoken words feel significant. Clinical white light. 12 seconds.

A wide shot of a city playground in late afternoon: a child of 7 runs toward a climbing frame, makes it to the top, and shouts 'I can see everything from here!' Their lip movements are synchronized. Audio: the child's voice carries across the open playground, a swing squeaking rhythmically in the background, distant traffic, a dog bark, other children's voices as ambient crowd. Warm late-afternoon light. 12 seconds.

A slow tracking shot along rows of harvest-ready vines at dawn: dew on the grape clusters, mist in the valley below, a worker moving with a picking basket at the far end of the row. No dialogue. Audio: the quiet of a very early vineyard morning — birdsong, the soft crunch of the worker's boots on dry earth, grape clusters dropping into the basket with a hollow sound, a light breeze through the vines. 15 seconds.

A handheld documentary shot in an ER corridor: a doctor in scrubs stops a nurse and says rapidly: 'Bay 4 — chest. I need the team now.' Both move immediately. Their lip movements are synchronized. Audio: the ER ambient — PA system, monitor beeping from behind a curtain, trolley wheels, the squeak of rubber soles — the spoken dialogue cuts through all ambient noise. Harsh fluorescent lighting. 12 seconds.

A platform-level shot at a grand historic station: a couple in their 60s stand at a carriage door, the woman on the platform, the man at the step. He says: 'Three weeks. I'll write every day.' Their lips are synchronized. The train whistle sounds at 10 seconds. Audio: station ambience — the crowd on the platform, the diesel engine idling, his voice quiet under the noise, the whistle loud and final. Period-accurate atmosphere. 15 seconds.

An over-the-shoulder shot of a developer at 2 AM: dual monitors, a half-eaten pizza, energy drink, code scrolling. They lean back, look at the ceiling, and say to themselves: 'There it is.' Lip sync is precise. Audio: the mechanical keyboard click pattern stops abruptly when they lean back, then the hum of the PC fans and the building's HVAC — city noise through a window slightly open. The room is dark except for monitor glow. 12 seconds.

A wide beach shot at first light: a single surfer paddles out into a 2-metre swell, the wave sets behind them. They catch it at the 8-second mark and ride toward frame-right. No dialogue. Audio: the ocean is the entire soundscape — the rhythmic shore break, the surge of the wave the surfer catches, the white water churning behind, a seagull call over everything. Soft pre-dawn light. 15 seconds.